P
Pacosipulami
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*duck, pack und wegrenn*Paco, ... wenn die Uhr abgelaufen ist und dann die FW nicht draussen ist, kann ich für Deine Sicherheit nicht mehr garantieren ...
*duck, pack und wegrenn*Paco, ... wenn die Uhr abgelaufen ist und dann die FW nicht draussen ist, kann ich für Deine Sicherheit nicht mehr garantieren ...
Keine Chance Paco...Wir kriegen Dich... früher oder später...!!!*duck, pack und wegrenn*
Keine Chance Paco...Wir kriegen Dich... früher oder später...!!!
...und wenn schon, bald ist ja wieder WeihnachtenEs geht los! Ich hab's im Gefühl, Morgen!
Quelle: http://wiki.fractalaudio.com/axefx2/index.php?title=AMP_(block)#Preamp_and_power_amp_modelingFirmware 10 release notes:
Implemented “Multi-point Iterative Matching and Impedance Correction” technology (MIMIC) to amp models. MIMIC applies analytic signals to an amplifier and captures the fine nuances of each amp at various points in the circuit and corrects each model vs. its theoretical implementation. In some cases the difference can be substantial, in other cases the difference is minimal. This depends on the layout of the amp and the various parasitics involved. MIMIC has the advantage of applying these corrections at the appropriate location in the amp model rather than as just an output EQ so that the various controls of the model behave virtually identically to the actual. For example, the Modern modes of a Dual Rectifier are highly sensitive to Master Volume with the tone becoming thicker as the MV is increased. MIMIC preserves this behavior rather than just getting louder as the Master Volume is increased.
Updated numerous amp model details in light of MIMIC's identification of deviations between the models and actual amps.
Tweaked power amp modeling slightly to increase even-order harmonics. This makes most models “sweeter”.
Improved triode modeling removes “glare” from distortion yielding greater clarity and string separation. Note that the Triode Hardness parameter operates differently than before and also defaults to an appropriate value when the model type is selected. Existing presets are automatically updated upon recall.
Improved power tube modeling gives more punch and pop, especially to tones that rely on power amp distortion. Additionally this provides a more dynamic response, better touch sensitivity and improved pick attack.
Amp block power supply modeling now models AC rectification and resulting supply ripple (if Pwr Supply Type is set to ‘AC’). The power supply type can be selected between AC and DC with the Pwr Supply Type parameter. The line frequency can be selected with the AC Line Freq parameter. Note that high values of Sag along with low B+ Time Constant values can cause “ghost notes” when the supply type is AC (as in a real amp). Lower B+ Time Constant values will make the amp feel “faster” but too low can cause ghost notes.
Added Tube Type parameter to amp block. This allows selecting Tetrode (i.e. 6L6, KT66, etc.) or Pentode (i.e. EL34, 6BQ5, etc.) power tube types. The type defaults to the appropriate value when a model is chosen but may be overridden by the user.
Improved “Drive Stack” accuracy in Amp block. This allows for near exact control behavior for the Drive control over the full range of operation.
Added “Dynamic Presence” control to Amp block. This models the output transformer leakage inductance that results in a brightening of the tone when the power amp is pushed. This control is set to a default value when the model is selected corresponding to the real amp, if applicable. Increasing this value results in a brighter response as the virtual power amp is pushed. When playing softly or at lower gains, the influence of this control is lessened. Note that this only affects the power amp modeling and is dependent on the degree of power amp overdrive. This control can also be set negative to cause the tone to darken when playing hard. This control can also be used to help “dial in” the sweet spot of an amp model. As the MV is increased an amp becomes more liquid, compressed and easier to play. However, the highs may get overly compressed causing the amp to sound too dark. The Dynamic Presence control allows you to get the desired power amp drive and liquid feeling and then bring the highs back without affecting the rest of the spectrum.
Added “Dynamic Depth” control to Amp block. Analogous to the Dynamic Presence control, this increases or decreases low frequencies when the virtual power amp is being pushed. While real amps don’t display this behavior, it is a valuable tone-shaping tool.
mmmh......naja, wieso man den PAB (heisst übrigens PreAmpBoost) im Leadkanal dauerhaft aktiviert hat, ist mir ein Rätsel. Genau "da" wäre der Unterschied zu jedem anderen Modeler gewesen, hätte jemand das "Dumble"-Konzept wirklich verstehen wollen.Firmware 10 release notes: "The ODS-100 models were redone and matched to a Dumble Overdrive Special, S/N 0213. This particular amp is a 100W “HRM” version. The lead channel was matched with the preamp bypass (PAB) engaged which bypasses the input tone stack. The lead channel was also modeled with the Drive control at approximately 7.0. The Input Trim parameter can be used to increase or decrease the drive. Note that the clean channel has a bright cap on the Master Volume. This causes the tone to get brighter as the MV is reduced and vice-versa"
Mensch Paco, hättest Du nix gesagt, wäre FW 10 bestimmt heute rausgekommen, jetzt überarbeiten die das nochmal - kleiner Scherz!!!Wenn der PAB-Switch am Dumble aktiviert ist, sind ja nur Bass und Treble des Tonestacks auf Bypass - Middle ist nachwievor aktiv! Diese Info hab ich heute morgen bei FAS gepostet, als kleine Anmerkung zum Thema. Ich denke mir, das hat jemand von FAS auch gemerkt und schwupps war diese oben zitierte Info aus den Release Notes verschwunden.....